FilmTotal21, SONY$24,105,943DR. SEUSS’ HORTON HEARS A WHO, FOX$17,740,106SUPERHERO MOVIE, MGM$9,510,297TYLER PERRY’S MEET THE BROWNS, LIONSGATE$7,481,508DRILLBIT TAYLOR, PARAMOUNT$5,713,585SHUTTER, FOX$5,221,01610,000 B.C., WARNER BROS.$4,947,174STOP-LOSS, PARAMOUNT$4,555,117COLLEGE ROAD TRIP, DISNEY$3,457,756THE BANK JOB, LIONSGATE$2,780,168
On Wednesday, NBC Universal will present advertisers with a “52-week” schedule that will stagger show premieres year-round rather than concentrate them in September. It’s just one of a number of ideas that television executives trumpeted after this winter’s writers’ strike. This innovation, although highly touted, is an example of what happened during the strike, when networks got the opportunity to rethink some of TV’s more archaic and expensive conventions.
A group of U.K. directors has launched a formal organization with the goal of securing a standard collective bargaining agreement with British employers. “There’s an increasingly large group of directors who need representation of their creative and economic rights,” said Charles Sturridge, chairman of Directors U.K. “We see this as a big, all-encompassing organization.” He also noted that directors in the U.K. have no standard contract addressing pay or working conditions. And they are paid considerably less than in the U.S.
With feature-primetime contract negotiations looming, AFTRA has declared war on SAG and carried through on its threat to negotiate a separate deal with the majors. SAG announced Saturday afternoon that AFTRA had withdrawn from Phase One joint bargaining. The unions had been scheduled to give final approval Saturday at a[…]
Legitimate online television and video services will generate global revenues of $7.9 billion over the next five years, with the U.S., the U.K. and Japan leading the way, according to a forecast published Friday by Informa Telecoms & Media.
FilmTotal21, SONY$24,105,943DR. SEUSS’ HORTON HEARS A WHO, FOX$17,740,106SUPERHERO MOVIE, MGM$9,510,297TYLER PERRY’S MEET THE BROWNS, LIONSGATE$7,481,508DRILLBIT TAYLOR, PARAMOUNT$5,713,585SHUTTER, FOX$5,221,01610,000 B.C., WARNER BROS.$4,947,174STOP-LOSS, PARAMOUNT$4,555,117COLLEGE ROAD TRIP, DISNEY$3,457,756THE BANK JOB, LIONSGATE$2,780,168
On Wednesday, NBC Universal will present advertisers with a “52-week” schedule that will stagger show premieres year-round rather than concentrate them in September. It’s just one of a number of ideas that television executives trumpeted after this winter’s writers’ strike. This innovation, although highly touted, is an example of what happened during the strike, when networks got the opportunity to rethink some of TV’s more archaic and expensive conventions.
A group of U.K. directors has launched a formal organization with the goal of securing a standard collective bargaining agreement with British employers. “There’s an increasingly large group of directors who need representation of their creative and economic rights,” said Charles Sturridge, chairman of Directors U.K. “We see this as a big, all-encompassing organization.” He also noted that directors in the U.K. have no standard contract addressing pay or working conditions. And they are paid considerably less than in the U.S.
With feature-primetime contract negotiations looming, AFTRA has declared war on SAG and carried through on its threat to negotiate a separate deal with the majors. SAG announced Saturday afternoon that AFTRA had withdrawn from Phase One joint bargaining. The unions had been scheduled to give final approval Saturday at a[…]
Legitimate online television and video services will generate global revenues of $7.9 billion over the next five years, with the U.S., the U.K. and Japan leading the way, according to a forecast published Friday by Informa Telecoms & Media.
FilmTotal21, SONY$24,105,943DR. SEUSS’ HORTON HEARS A WHO, FOX$17,740,106SUPERHERO MOVIE, MGM$9,510,297TYLER PERRY’S MEET THE BROWNS, LIONSGATE$7,481,508DRILLBIT TAYLOR, PARAMOUNT$5,713,585SHUTTER, FOX$5,221,01610,000 B.C., WARNER BROS.$4,947,174STOP-LOSS, PARAMOUNT$4,555,117COLLEGE ROAD TRIP, DISNEY$3,457,756THE BANK JOB, LIONSGATE$2,780,168
On Wednesday, NBC Universal will present advertisers with a “52-week” schedule that will stagger show premieres year-round rather than concentrate them in September. It’s just one of a number of ideas that television executives trumpeted after this winter’s writers’ strike. This innovation, although highly touted, is an example of what happened during the strike, when networks got the opportunity to rethink some of TV’s more archaic and expensive conventions.
A group of U.K. directors has launched a formal organization with the goal of securing a standard collective bargaining agreement with British employers. “There’s an increasingly large group of directors who need representation of their creative and economic rights,” said Charles Sturridge, chairman of Directors U.K. “We see this as a big, all-encompassing organization.” He also noted that directors in the U.K. have no standard contract addressing pay or working conditions. And they are paid considerably less than in the U.S.
With feature-primetime contract negotiations looming, AFTRA has declared war on SAG and carried through on its threat to negotiate a separate deal with the majors. SAG announced Saturday afternoon that AFTRA had withdrawn from Phase One joint bargaining. The unions had been scheduled to give final approval Saturday at a[…]
Legitimate online television and video services will generate global revenues of $7.9 billion over the next five years, with the U.S., the U.K. and Japan leading the way, according to a forecast published Friday by Informa Telecoms & Media.