Filmmakers Yung Chang, Sarah Polley, Shelley Saywell and John Walker will participate in the inaugural CFC/NFB Feature Documentary Program. Created by the Canadian Film Centre (CFC) and the National Film Board (NFB), the CFC/NFB Feature Documentary Program will launch in January 2009 with the goal of developing successful original feature length documentaries for international cinema audiences.
Paramount is grappling with ways of boosting its on-lot postproduction facilities while raising its post profile in Hollywood. The studio appears to be closing in on an agreement with Technicolor to supervise a planned new sound postproduction facility on the Melrose Avenue lot. Paramount also is mulling an expansion of its film-restoration capabilities and is actively recruiting candidates to oversee those operations. The latest developments follow earlier discussions about a plan to invest more than $60 million in post upgrades on the lot.
Leading Canadian distrib Alliance Films is set to buy back $400 million of its debt at a discount — likely in the range of 75¢ on the dollar — putting the Montreal-based company in a much stronger financial position. “The current market environment has presented Alliance Films with a unique opportunity to negotiate the repurchase of our outstanding debt,” said Alliance Films chairman Victor Loewy in a statement: “By opportunistically strengthening our balance sheet, we can become strategically more relevant and positioned for growth.”
B.C.’s sagging TV series industry received a boost with the announcement of two new Canadian series that will soon begin shooting in Vancouver. The series will not be financed by U.S. producers seeking to take advantage of a weaker Canadian dollar, but have been commissioned by CTV and Canwest Broadcasting. The announcement was expected to help invigorate a B.C. industry in which TV series production this year dropped to just over half of what it was in 2007.
CNN’s tryout of holograms was the talk of TV on a night where networks brought forth all sorts of gizmos and gadgets to cover Barack Obama’s election as president. Yellin stepped into a booth set up in a tent at Chicago’s Grant Park, surrounded by 25 high-definition cameras that duplicated her moving image in much the same way as a flight simulator would. On-screen, it appeared she was standing and talking to Wolf Blitzer on CNN’s New York set, an eerie white halo around her. The hologram left some critics baffled. “It was a cute trick,” wrote Tom Shales in The Washington Post, “but how did it substantially contribute to the coverage? No one seemed to know.”
Filmmakers Yung Chang, Sarah Polley, Shelley Saywell and John Walker will participate in the inaugural CFC/NFB Feature Documentary Program. Created by the Canadian Film Centre (CFC) and the National Film Board (NFB), the CFC/NFB Feature Documentary Program will launch in January 2009 with the goal of developing successful original feature length documentaries for international cinema audiences.
Paramount is grappling with ways of boosting its on-lot postproduction facilities while raising its post profile in Hollywood. The studio appears to be closing in on an agreement with Technicolor to supervise a planned new sound postproduction facility on the Melrose Avenue lot. Paramount also is mulling an expansion of its film-restoration capabilities and is actively recruiting candidates to oversee those operations. The latest developments follow earlier discussions about a plan to invest more than $60 million in post upgrades on the lot.
Leading Canadian distrib Alliance Films is set to buy back $400 million of its debt at a discount — likely in the range of 75¢ on the dollar — putting the Montreal-based company in a much stronger financial position. “The current market environment has presented Alliance Films with a unique opportunity to negotiate the repurchase of our outstanding debt,” said Alliance Films chairman Victor Loewy in a statement: “By opportunistically strengthening our balance sheet, we can become strategically more relevant and positioned for growth.”
B.C.’s sagging TV series industry received a boost with the announcement of two new Canadian series that will soon begin shooting in Vancouver. The series will not be financed by U.S. producers seeking to take advantage of a weaker Canadian dollar, but have been commissioned by CTV and Canwest Broadcasting. The announcement was expected to help invigorate a B.C. industry in which TV series production this year dropped to just over half of what it was in 2007.
CNN’s tryout of holograms was the talk of TV on a night where networks brought forth all sorts of gizmos and gadgets to cover Barack Obama’s election as president. Yellin stepped into a booth set up in a tent at Chicago’s Grant Park, surrounded by 25 high-definition cameras that duplicated her moving image in much the same way as a flight simulator would. On-screen, it appeared she was standing and talking to Wolf Blitzer on CNN’s New York set, an eerie white halo around her. The hologram left some critics baffled. “It was a cute trick,” wrote Tom Shales in The Washington Post, “but how did it substantially contribute to the coverage? No one seemed to know.”
Filmmakers Yung Chang, Sarah Polley, Shelley Saywell and John Walker will participate in the inaugural CFC/NFB Feature Documentary Program. Created by the Canadian Film Centre (CFC) and the National Film Board (NFB), the CFC/NFB Feature Documentary Program will launch in January 2009 with the goal of developing successful original feature length documentaries for international cinema audiences.
Paramount is grappling with ways of boosting its on-lot postproduction facilities while raising its post profile in Hollywood. The studio appears to be closing in on an agreement with Technicolor to supervise a planned new sound postproduction facility on the Melrose Avenue lot. Paramount also is mulling an expansion of its film-restoration capabilities and is actively recruiting candidates to oversee those operations. The latest developments follow earlier discussions about a plan to invest more than $60 million in post upgrades on the lot.
Leading Canadian distrib Alliance Films is set to buy back $400 million of its debt at a discount — likely in the range of 75¢ on the dollar — putting the Montreal-based company in a much stronger financial position. “The current market environment has presented Alliance Films with a unique opportunity to negotiate the repurchase of our outstanding debt,” said Alliance Films chairman Victor Loewy in a statement: “By opportunistically strengthening our balance sheet, we can become strategically more relevant and positioned for growth.”
B.C.’s sagging TV series industry received a boost with the announcement of two new Canadian series that will soon begin shooting in Vancouver. The series will not be financed by U.S. producers seeking to take advantage of a weaker Canadian dollar, but have been commissioned by CTV and Canwest Broadcasting. The announcement was expected to help invigorate a B.C. industry in which TV series production this year dropped to just over half of what it was in 2007.
CNN’s tryout of holograms was the talk of TV on a night where networks brought forth all sorts of gizmos and gadgets to cover Barack Obama’s election as president. Yellin stepped into a booth set up in a tent at Chicago’s Grant Park, surrounded by 25 high-definition cameras that duplicated her moving image in much the same way as a flight simulator would. On-screen, it appeared she was standing and talking to Wolf Blitzer on CNN’s New York set, an eerie white halo around her. The hologram left some critics baffled. “It was a cute trick,” wrote Tom Shales in The Washington Post, “but how did it substantially contribute to the coverage? No one seemed to know.”