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Vfx guru set to captain ‘UFO’ film
Thursday July 23rd 2009Veteran visual effects supervisor Matthew Gratzner is attached to make his directorial debut on “UFO,” the feature adaptation of the ’70s TV series.
Gratzner was visual effects supervisor on the upcoming Martin Scorsese-directed “Shutter Island,” and his vfx resume includes “The Mummy: Tomb of the Dragon Emperor,” “Hancock,” “Iron Man” and “Alien: Resurrection.”
The film was optioned from rights holder ITV Global by the Robert Evans Co., where producers Evans, Henri Kessler and Avi Haas will be joined by Gratzner’s New Deal Studios to move the project forward.
A script has been written by Ryan Gaudet and Joseph Kanarek. Gratzner’s studio has begun developing concept art and pre-visualizations; after they’re completed, the picture will be shopped for financing.
Like the Gerry Anderson series, the film will revolve around Shado (Supreme Headquarters Alien Defense Organization), a secret military operation hidden beneath a Hollywood studio, whose operatives battle an alien race that has been kidnapping and killing humans for decades and using the body parts.
“The story, characters and situations Mr. Anderson created in ‘UFO’ are timeless and engaging,” Gratzner said. “My vision is to utilize visual effects as a supportive storytelling device that draws audiences into this universe.”
Source: Variety
Headline, Industry News
Vfx guru set to captain ‘UFO’ film
Thursday July 23rd 2009Veteran visual effects supervisor Matthew Gratzner is attached to make his directorial debut on “UFO,” the feature adaptation of the ’70s TV series.
Gratzner was visual effects supervisor on the upcoming Martin Scorsese-directed “Shutter Island,” and his vfx resume includes “The Mummy: Tomb of the Dragon Emperor,” “Hancock,” “Iron Man” and “Alien: Resurrection.”
The film was optioned from rights holder ITV Global by the Robert Evans Co., where producers Evans, Henri Kessler and Avi Haas will be joined by Gratzner’s New Deal Studios to move the project forward.
A script has been written by Ryan Gaudet and Joseph Kanarek. Gratzner’s studio has begun developing concept art and pre-visualizations; after they’re completed, the picture will be shopped for financing.
Like the Gerry Anderson series, the film will revolve around Shado (Supreme Headquarters Alien Defense Organization), a secret military operation hidden beneath a Hollywood studio, whose operatives battle an alien race that has been kidnapping and killing humans for decades and using the body parts.
“The story, characters and situations Mr. Anderson created in ‘UFO’ are timeless and engaging,” Gratzner said. “My vision is to utilize visual effects as a supportive storytelling device that draws audiences into this universe.”
Source: Variety
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Headline, Industry News
Vfx guru set to captain ‘UFO’ film
Thursday July 23rd 2009Veteran visual effects supervisor Matthew Gratzner is attached to make his directorial debut on “UFO,” the feature adaptation of the ’70s TV series.
Gratzner was visual effects supervisor on the upcoming Martin Scorsese-directed “Shutter Island,” and his vfx resume includes “The Mummy: Tomb of the Dragon Emperor,” “Hancock,” “Iron Man” and “Alien: Resurrection.”
The film was optioned from rights holder ITV Global by the Robert Evans Co., where producers Evans, Henri Kessler and Avi Haas will be joined by Gratzner’s New Deal Studios to move the project forward.
A script has been written by Ryan Gaudet and Joseph Kanarek. Gratzner’s studio has begun developing concept art and pre-visualizations; after they’re completed, the picture will be shopped for financing.
Like the Gerry Anderson series, the film will revolve around Shado (Supreme Headquarters Alien Defense Organization), a secret military operation hidden beneath a Hollywood studio, whose operatives battle an alien race that has been kidnapping and killing humans for decades and using the body parts.
“The story, characters and situations Mr. Anderson created in ‘UFO’ are timeless and engaging,” Gratzner said. “My vision is to utilize visual effects as a supportive storytelling device that draws audiences into this universe.”
Source: Variety
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