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Stars demand action from CRTC

Ottawa – Canadian stars including Wendy Crewson, Sonja Smits, Fiona Reid, and R.H. Thomson spoke out today about the Canadian TV drama crisis during the first day of CRTC public hearings. ACTRA has been sounding the alarm about the crisis in Canadian television drama for years, and demands that the CRTC fix its disastrous 1999 Television Policy.

“Our culture defines us as a nation yet we can’t hear or see ourselves when regulations encourage Canadian broadcasters to show American drama series and movies,” said ReGenesis star Wendy Crewson. “Canadian broadcasters are filling their prime-time slots with hundreds of millions of dollars worth of U.S.-made drama programs. We’ve been shut out of our own home.”

The CRTC commenced its review of the regulatory framework for Canadian over-the-air television on November 27, 2006. ACTRA formally presents before the CRTC on December 4, 2006.

“These hearings are crucial for fixing the destructive policy that removed spending requirements for Canadian broadcasters as they continue to spend an all-time high on American programming,” said October 1970 star R. H. Thomson. “Canadian stories and dramas are being marginalized more than ever on our public airwaves. We are pleased to see that CRTC has recognized the problem and hope that they will now address it.”

ACTRA’s submission calls for regulations requiring Canada’s private broadcasters to spend at least 7% of their advertising revenues on new Canadian English-language drama programming and to schedule at least two hours more of new Canadian dramas in real prime-time (Sunday to Thursday, 7:00 p.m. to 11:00 p.m.).

ACTRA (Alliance of Canadian Cinema, Television and Radio Artists) is a national organization of professional performers working in the English-language recorded media in Canada. ACTRA represents the interests of 21,000 members across Canada – the foundation of Canada’s highly acclaimed professional performing community.

No real movement in producer dispute

TORONTO, Nov. 14 – ACTRA and Canadian producers met today. Nothing significant moved on the proposals. So: ACTRA will pursue the labour conciliation process across Canada; ACTRA members will be receiving a strike ballot in coming days; and ACTRA and the producers will conduct a final blitz of negotiations in the last days leading to the expiry of the current contract – the only point on which any agreement was reached today.

"We met today with producers, and it became clear that they have not moved on the substantive points they presented to us two weeks ago," said Stephen Waddell, ACTRA’s National Executive Director and Chief Negotiator.

"As we told them last time we met, there is no basis for an agreement on proposals that gut residuals, roll back pay and demand numerous other retrograde changes to our agreement."

ACTRA will continue with its conciliation applications across Canada. The Government of Ontario has named Reg Pearson as its conciliator in this dispute. The Government of Canada today confirmed that it is also naming Mr. Pearson as its conciliator.

To underscore its determination in these negotiations, Waddell said ACTRA will also now be proceeding to consult its members on a strike mandate. The strike consultation will conclude on or about December 15, 2006.

ACTRA will also continue to attempt to negotiate a new agreement. The parties did reach agreement on one item today – additional bargaining dates in December.

ACTRA and the CFTPA/APFTQ began negotiations for a new IPA on October 23. The current IPA expires December 31, 2006.

Support for ACTRA continues to build

TORONTO – Support for ACTRA continues to build as key unions and associations pledged to resist rollback demands by film and television producers.

"There has been a tremendous outpouring of support for ACTRA and our members," said Stephen Waddell, ACTRA’s National Executive Director and Chief Negotiator. "Our leading performers, our biggest stars are behind us. SAG and AFTRA (American Federation of Television and Radio Artists) are behind us. Our talent agent colleagues are behind us. And now we have the support of UBCP and actors from around the world."

ACTRA’s B.C. branch, the Union of B.C. Performers (UBCP), was at the bargaining table with producers earlier this year for its film and television agreement. UBCP has resisted similar rollback demands from producers and in a statement of support for ACTRA says, "In the unfortunate event of a strike… the Union of B.C. Performers will instruct our members not to accept any engagements on film and television productions shooting in Canada outside British Columbia, nor on any productions that relocate to British Columbia to avoid an ACTRA strike."

The International Federation of Actors (FIA), representing performers in more than 100 countries around the world, said it would support ACTRA, "including by requesting its affiliates to instruct their members not to accept any engagements on film and television productions shooting in Canada." In the event of a strike by ACTRA members, FIA will also instruct its members not to work on any productions that may relocate abroad to avoid an ACTRA strike.

ACTRA and the CFTPA/APFTQ began negotiations for a new IPA on October 23. Producer demands include paycuts of 10 to 25%, gutting of performer residuals, and erosion of working conditions. The current IPA expires December 31, 2006.

Canadian stars send wake-up call

TORONTO – Canada’s star performers including Sonja Smits, Fiona Reid,Sarah Polley, Gordon Pinsent, Eric Peterson, Wendy Crewson and Tom McCamus gave producers a wake-up call today, saying they won’t accept producer proposals or work with producers on the terms presented to ACTRA during negotiations for a new film and television agreement (IPA).

In response to producer rollback demands, the performers have signed a letter saying, "We won’t accept these proposals or anything like them.

We won’t accept engagements with producers on these terms. We demand to be treated with the dignity and respect we deserve. We want our bargaining committee to do whatever is required to win a fair new contract, with our support."

The performers have a message for their Canadian actor colleagues. Their letter, sent to 21,000 ACTRA members across the country, says, "If you don’t want to take a 10-25% pay cut, or see your residuals dwindle and working conditions deteriorate – then we urge you to join us in rejecting these proposals. That means committing to refuse engagements on these unacceptable terms, no matter what happens in the months to come."

November 2, 2006

Dear fellow performer,

We the undersigned are colleagues of yours. We’re fellow actors, and fellow members of ACTRA.

We want to share with you our support for ACTRA’s negotiating committee. And we want to urge you to stand strong and united with ACTRA against the producers’ proposals that would gut the Independent Production Agreement – the main ACTRA agreement we all work under.

Here’s what’s going on.

On October 23 and October 24, ACTRA’s bargaining committee met with negotiators representing the producers. The producers want:
• Pay cuts of 10% to 25% on substantially every Canadian production.

• They want to attack our residuals system—including lengthening the term from four years to seven years before you receive residuals.

• They want to take huge steps backwards on working conditions – including regressing to a ten-hour turnaround.

• They want free rein to use and re-use performers’ work on the Internet, in mobisodes, and other digital media however they see fit, with no additional pay to performers.

• They proposed numerous other steps that would take us back fifteen years.

Our bargaining committee has told the producers’ associations they won’t accept these proposals. They asked for our support and our opinion.

Here’s what we said…We won’t accept these proposals or anything like them. We won’t accept engagements with producers on these terms. We demand to be treated with the dignity and respect we deserve.

We want our bargaining committee to do whatever is required to win a fair new contract, with our support. We want to send our fellow ACTRA members a letter, so here it is. And here’s what we’d like to say

to you:

If you don’t want to take a 10-25% pay cut, or see your residuals dwindle and working conditions deteriorate – then we urge you to join us in rejecting these proposals.

That means committing to refuse engagements on these unacceptable terms, no matter what happens in the months to come. As individual performers we are strong. But together – as a union of performers – we will win this battle. We are second to none.

ACTRA and the CFTPA/APFTQ began negotiations for a new film and television agreement (IPA) on October 23. ACTRA has filed for conciliation. A mediator has been appointed and the two sides next meet on November 14. The current IPA expires December 31, 2006.

Need to invest in more drama

Vancouver – Canadian stars today told Canada’s private broadcasters that it is time they invest in more Canadian TV drama. “New Realities, New Rules” is the theme of this year’s CAB convention. ACTRA spoke out during the annual Canadian Association of Broadcasters (CAB) convention at the PAL Vancouver Performing Arts Lodge on Monday, November 6, 2006.

Among the Canadian stars taking part were Joy Coghill (Da Vinci’s Inquest, Stargate), Jackson Davies (X-Files, Beachcombers), Donnelly Rhodes (Da Vinci’s Inquest, Battlestar Galactica), Christine Willes (The Wicker Man, Dead Like Me) and UBCP President Howard Storey (Cold Squad, Mysterious Ways).

“We’re focusing on more reality television, when what we need is new rules to protect our Canadian cultural sovereignty and to get more home grown dramas on our televisions," said Gabrielle Miller (Corner Gas, Robson Arms), “The success of Corner Gas is a perfect example of Canadian television programming that audiences want to see. The support and commitment that this television series continues to receive has been critical and we need to build on this success by increased funding and scheduling support for more Canadian dramatic programming.”

This month the CRTC begins hearings as part of its review of the regulatory framework for Canadian television, which ACTRA has called for since 2000. The investigation is crucial as the 1999 Television Policy that caused the collapse of Canadian English-language drama must be fixed.

“We want to continue to see the development and growth of British Columbia’s TV and film industry,” said Howard Storey, President of UBCP. “Canadian TV drama is still disappearing while our private broadcasters are spending at an all-time high on American programming. Broadcasters are filling their prime-time slots with hundreds of millions of dollars worth of U.S.-made drama programs all at the expense of Canadian culture.”

ACTRA’s CRTC submission calls for regulations requiring Canada’s private broadcasters to spend at least 7% of their advertising revenues on new Canadian English-language drama programming and to schedule at least two hours more of Canadian dramas in real prime-time (Sunday to Thursday, 7:00 p.m. to 11:00 p.m.).

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