Tag Archives: CBC

Canada has spoken: CBC Television’s Little Mosque on the Praire a Hit

Over one million (1.116) viewers watched the final episode of CBC Television’s LITTLE MOSQUE ON THE PRAIRIE, Wednesday, March 4. A critical and audience hit, the series averaged 1.252 million over its eight-episode season. Its debut drew 2.196 million viewers, a record for a series premiere on CBC Television.

“We are delighted with the response from viewers who tune in weekly and write and e-mail us with their comments,” said Kirstine Layfield, CBC executive director of network programming. 

LITTLE MOSQUE ON THE PRAIRIE has received a number of accolades, including being invited by the Museum of Television and Radio, in both Los Angeles and New York, to screen an episode. Following the screening, a panel consisting of the cast, creators and producer will respond to questions.

Avril Lavigne CBC variety special

Avril Lavigne has a new album, new band and a new live show and CBC Television viewers get a first-hand look with AVRIL LAVIGNE: EXCLUSIVE, Monday, April 2 at 8 p.m., taped at the historic Grand Theatre in Calgary to a special invite-only audience!

AVRIL LAVIGNE: EXCLUSIVE is a 90-minute variety special with musical performances and an up-close look at this young Canadian punk-pop superstar. The show also includes a visit to L.A. to catch up with Lavigne during rehearsals for her new album The Best Damn Thing. She talks about her loyal fans from around the world, and reflects on her life now and how it has changed since the release of her debut album in 2002.

Fans step into Lavigne’s world and the highlight is the special showcase performance held for an enthusiastic invite-only crowd to launch her new band, new sound and, yes, even new dancers!

Lavigne has not performed in over a year and this multi-layered special includes some of her biggest hits as well as introducing some of her newest material that has not yet hit the streets. Hits include Sk8ter Boi, Keep Holding On, My Happy Ending and I’m With You. Girlfriend, the first single from the album that was released last week, as well as other new songs I Can Do Better, Best Damn Thing, Don’t Have To Try and Runaway get their national debut. 

To ensure the raw energy and excitement of the event was captured for television, it was directed by Rafael Ouellet, who is widely regarded as one of the best in his field, capturing exactly what makes a live rock performance incredible.

CBC to air Oscar winner ‘The Danish Poet,’ in unenviable time slot

TORONTO (CP) _ The CBC is crowing about its plans to air Canada’s only 2007 Oscar winner, the animated short "The Danish Poet" _ but it’s picked a time slot that almost guarantees very few Canadians will see the film unless they PVR it.

The public broadcaster put out a news release Tuesday heralding the broadcast premiere of Torill Kove’s Academy Award winner during what is arguably a time slot when most Canadians are fast asleep: this Sunday at midnight as part of its "Canadian Reflections" series.

"Canadian Reflections" showcases Canadian short films, and has aired early shorts of many of the country’s top filmmakers, including Atom Egoyan and David Cronenberg.

The Norwegian-born Kove, 48, of Montreal, won the Oscar on Sunday night for "The Danish Poet," a Canada -Norway co-production narrated by Norwegian actress Liv Ullman. The film tells the story of a young poet who travels to Norway to find inspiration by meeting Norwegian writer and Nobel Prize winner Sigrid Undset.

It was Kove’s second trip to the Oscars. The animator, who has lived in Canada since 1982, was nominated in 1999 for "My Grandmother Ironed the King’s Shirts."

CBC position on CTF

OTTAWA, Feb. 15 /CNW Telbec/ – Representatives of CBC/Radio-Canada presented their position on the Canadian Television Fund (CTF) today in an appearance before the Standing Committee on Canadian Heritage as part of the Committee’s study on the future of the Fund.
"We are relieved to see that the Minister and the CRTC have taken action to ensure that all players in the broadcasting system play by the rules and respect their regulatory obligations," CBC/Radio-Canada President and CEO, Robert Rabinovitch said. "Given the importance of the Fund to the broadcasting system, it is vital that all stakeholders, including independent producers, are part of any discussion – at the CRTC or elsewhere – of any changes affecting support for Canadian production."

CBC/Radio-Canada does not receive any money from the Fund, however, 37 per cent of the CTF’s budget for productions is earmarked for CBC/Radio-Canada because it is the single largest investor in original Canadian programming.

The envelope recognizes that CBC/Radio-Canada is the only broadcaster with the "shelf space" to offer mostly Canadian programs when Canadians are watching television, that is during prime time – which is one of the key objectives of the Fund.

CBC TV looks south again with ‘Hustle’ cable drama starring Robert Vaughn

Is CBC losing "Intelligence" but gaining "Hustle"? It seems that way on the surface at least, with the U.S. cable drama "Hustle," starring former "Man From U.N.C.L.E." Robert Vaughn, premiering Tuesday night at 9 p.m. in the former "Intelligence" timeslot.

It is the latest reach across the border by the public broadcaster, struggling to survive in an increasingly competitive and transitional marketplace just as Canada’s broadcast funding policies slip further into disarray.

Last summer, Canadian culture vultures went ballistic as a copycat U.S. talent search show, "The One," laid a big fat egg on the CBC schedule. Bad enough that an American reality show (albeit hosted by a Canadian, "The Hour"’s George Stroumboulopoulos) was invading the sanctity of the public network’s True North airways. Worse, it was bumping "The National," CBC’s now third-place newscast, back an hour. What next, Krispy Kreme sprinkles on Tim Hortons doughnuts?

Everybody breathed a sigh of relief when "The One" imploded on impact on both sides of the border. Let that be a lesson to CBC, the pundits seemed to say, seemingly unaware that TV shows flop all the time, even in America.

Wearing most of the mud was Kirstine Layfield, CBC’s programming chief, who shows no signs of backing down from adding a little U.S. spice to her schedule. In January, Layfield _ who was unavailable for comment for this article _ started airing the brilliant but cancelled Fox comedy "Arrested Development" Mondays to Fridays at 5:30 p.m. Paired with another U.S. import, "The Simpsons," it is finding a steady audience opposite Global’s strong national news hour and "Dr. Phil" on CTV.

"Hustle" has drawn an even more daunting assignment. It is up against the hottest U.S. import on Global’s prime time schedule: "House." "Intelligence," the Vancouver-based crime drama starring Ian Tracey ("Da Vinci’s Inquest"), which concluded its rookie run last week, got hammered by "House" all season. It routinely sank toward the 200,000 viewer mark, about a tenth the "House" audience. (Producers at Haddock Entertainment say CBC still has not made a decision on a second season of "Intelligence.")

Little more will be expected of "Hustle," a U.S. import which was tested last summer on CBC and which runs stateside on the movie channel AMC.

Vaughn, who played James Bond clone Napoleon Solo on "The Man From U.N.C.L.E." back in the ’60s, met with TV critics last month in Pasadena, Calif., on the annual winter press tour. He plays Albert Stroller, the lead lure or "roper" in a slick gang of London-based grifters and con artists.

A well preserved 74, Vaughn shrugged off his enduring appeal to "good whisky and no exercise." He and guest star Robert Wagner entertained critics with stories about the good old days, including their appearance together in the 1974 movie "The Towering Inferno."

"We didn’t have any scenes together," said Wagner. "I was at the top of the building trying to get it on with a young lady." Said Vaughn: "I was hanging out with Bill Holden downstairs."

Back in 1974, Vaughn and Wagner could have kicked butt for CBC. Then again, the network didn’t need their help in those days.

Today is a whole other world. The bad guys aren’t with Thrush or Spectre anymore, they’re with Shaw and Videotron. Last month, both Canadian cable companies, in defiance of the CRTC _ which currently requires medium and large cable and satellite providers to direct a fixed portion of their annual gross revenues to the Canadian Television Fund _ arbitrarily turned off the money tap, suspending roughly $6 million a month in contributions. Both object to so much CTF money flowing directly into what they see as the already heavily subsidized CBC coffers. The federal government says they will top up the fund, but what a mess. The lack of funding stability threatens the future of "Intelligence" and other CBC dramas.

"Hustle" isn’t just a show title, it is what the CBC will have to do to survive in today’s dirty business of television.

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