Tag Archives: Sarah Polley

Canadian stars send wake-up call

TORONTO – Canada’s star performers including Sonja Smits, Fiona Reid,Sarah Polley, Gordon Pinsent, Eric Peterson, Wendy Crewson and Tom McCamus gave producers a wake-up call today, saying they won’t accept producer proposals or work with producers on the terms presented to ACTRA during negotiations for a new film and television agreement (IPA).

In response to producer rollback demands, the performers have signed a letter saying, "We won’t accept these proposals or anything like them.

We won’t accept engagements with producers on these terms. We demand to be treated with the dignity and respect we deserve. We want our bargaining committee to do whatever is required to win a fair new contract, with our support."

The performers have a message for their Canadian actor colleagues. Their letter, sent to 21,000 ACTRA members across the country, says, "If you don’t want to take a 10-25% pay cut, or see your residuals dwindle and working conditions deteriorate – then we urge you to join us in rejecting these proposals. That means committing to refuse engagements on these unacceptable terms, no matter what happens in the months to come."

November 2, 2006

Dear fellow performer,

We the undersigned are colleagues of yours. We’re fellow actors, and fellow members of ACTRA.

We want to share with you our support for ACTRA’s negotiating committee. And we want to urge you to stand strong and united with ACTRA against the producers’ proposals that would gut the Independent Production Agreement – the main ACTRA agreement we all work under.

Here’s what’s going on.

On October 23 and October 24, ACTRA’s bargaining committee met with negotiators representing the producers. The producers want:
• Pay cuts of 10% to 25% on substantially every Canadian production.

• They want to attack our residuals system—including lengthening the term from four years to seven years before you receive residuals.

• They want to take huge steps backwards on working conditions – including regressing to a ten-hour turnaround.

• They want free rein to use and re-use performers’ work on the Internet, in mobisodes, and other digital media however they see fit, with no additional pay to performers.

• They proposed numerous other steps that would take us back fifteen years.

Our bargaining committee has told the producers’ associations they won’t accept these proposals. They asked for our support and our opinion.

Here’s what we said…We won’t accept these proposals or anything like them. We won’t accept engagements with producers on these terms. We demand to be treated with the dignity and respect we deserve.

We want our bargaining committee to do whatever is required to win a fair new contract, with our support. We want to send our fellow ACTRA members a letter, so here it is. And here’s what we’d like to say

to you:

If you don’t want to take a 10-25% pay cut, or see your residuals dwindle and working conditions deteriorate – then we urge you to join us in rejecting these proposals.

That means committing to refuse engagements on these unacceptable terms, no matter what happens in the months to come. As individual performers we are strong. But together – as a union of performers – we will win this battle. We are second to none.

ACTRA and the CFTPA/APFTQ began negotiations for a new film and television agreement (IPA) on October 23. ACTRA has filed for conciliation. A mediator has been appointed and the two sides next meet on November 14. The current IPA expires December 31, 2006.

Lionsgate Gets AWAY FROM HER

SANTA MONICA, Calif., Sept. 14 /PRNewswire-FirstCall/ Lionsgate (NYSE:LGF), the leading independent filmed entertainment studio, has acquired U.S. distribution rights to Sarah Polley’s critically acclaimed and audience pleasing drama AWAY FROM HER, it was jointly announced today by Lionsgate’s President of Acquisitions and Co-Productions Peter Block and President of Theatrical Films Tom Ortenberg. The studio plans a Spring 2007 release.

Said Ortenberg, "It is an honor to be working with Sarah on her wonderfully accomplished feature writing and directing debut. AWAY FROM HER is a great, universal love story which we feel will be an early awards contender in multiple categories for next year. We are looking forward to working with Simone Urdl and Jennifer Weiss while also reuniting with producer Danny Iron, with whom we worked on THE RED VIOLIN."

Said Polley, "We were blown away by Lionsgate’s enthusiasm for the film, and are completely thrilled by the prospect of working with them."

Said Iron, "It is exciting to be back in business with Lionsgate, a studio with unrivaled creativity, passion and intelligence. It is the perfect home for AWAY FROM HER."

The deal was negotiated for Lionsgate by Ortenberg, Block, Jason Constantine, Senior Vice President of Acquisitions and Eda Kowan, Vice President of Acquisitions and by William Morris Independent and producer Danny Iron on behalf of the filmmakers. HanWay Films are handling the international sales and distribution for AWAY FROM HER which has currently been sold in 26 other territories.

AWAY FROM HER is the lyrical screenplay adaptation of celebrated author Alice Munro’s short story The Bear Came Over the Mountain. A beautifully moving love story that deals with memory and the circuitous, unnamable paths of a long marriage. Married for almost 50 years, Grant (Gordon Pinsent) and Fiona’s (Julie Christie) commitment to each other appears unwavering, and their everyday life is full of tenderness and humor. This serenity is broken only by the occasional, carefully restrained reference to the past, giving a sense that this marriage may not always have been such a fairy tale. This tendency of Fiona’s to make such references, along with her increasingly evident memory loss, creates a tension that is usually brushed off casually by both of them. As the lapses become more obvious and dramatic, it is no longer possible for either of them to ignore the fact that Fiona is suffering from Alzheimer’s disease.

AWAY FROM HER also stars Wendy Crewson, Michael Murphy, Kristen Thomson, and Alberta Watson. A Film Farm and Foundry Films production in association with Capri Releasing, HanWay Films and Echo Lake Prods. Produced by Daniel Iron, Simone Urdl, Jennifer Weiss. Executive producer, Atom Egoyan, Doug Mankoff. Co-producer, Victoria Hirst.

Sarah Polley about writing/directing

TORONTO (CP) "I am in the early years of marriage and I loved the idea of examining in a real way what marriage looks like after that long and what does happen after you fail each other and there have been obstacles," Polley said in a recent interview as she raced to put the finishing touches on Away from Her, her feature film directorial debut.

"The story is about devotion, and what devotion means after a real life and real failures."

Away from Her, starring Julie Christie and Gordon Pinsent, will have its world premiere on Sept. 11 at the Toronto International Film Festival.

The film, Polley’s adaptation of Munro’s The Bear Came Over the Mountain, tells the story of Grant and Fiona after Fiona, suffering from Alzheimer’s and living in a nursing home, becomes romantically attached to a fellow patient, Aubrey.

When Aubrey leaves the facility, a confused Fiona becomes deeply despondent. Out of love for his wife, Grant, with his own history of straying during their 50-year marriage, swallows his male pride and urges Aubrey’s wife to re-admit him to the nursing home for the good of Fiona’s mental health.

The movie put Polley, 27, in a potentially precarious situation: working on a movie about the complexity of marriage alongside her husband of three years, film editor David Wharnsby.

The couple assumed working side by side on a film delving into matrimony might be trying at times, said Polley, who also wrote the screenplay.

"We both had anticipated it would be difficult and it would be full of tribulation but it wasn’t. It was an incredible experience to be able to sit in a room together 24 hours a day and make decisions about a film about marriage, and to disagree and to have it come together."

Atom Egoyan, the executive producer of Away from Her, said he was impressed that Polley chose the tale to make her feature filmmaking debut.

"I think it’ll surprise a lot of people; it’s very assured," he said. "It’s just very interesting to see how a young person deals with these issues of an old relationship. She’s a great filmmaker."

Away from Her is also a rare vehicle for Julie Christie, the iconic British actress who plays Fiona. Polley said it took some doing to get the reclusive star to sign on.

"It was a long process to get her to do it," said Polley, who had worked with Christie previously. "She really did like the script and spent a long time agonizing over it, but in the end she said no because she’s really ambivalent … she has a really odd relationship with acting, like I do. She’s a pretty reluctant actor and she doesn’t particularly want to work a lot right now.

"I felt it was my job to convince her, and it took seven or eight months to get her to agree to do it."

Indeed, getting Away from Her made was a labour of love on all fronts, Polley adds, but one that’s given her much more satisfaction than acting.

"On the most basic personal level, it’s something I had to struggle and fight to do. There’s an incredible feeling or accomplishment in actually having to really struggle to make a decision and get something done," she said. "There’s a huge difference in the amount of weight when you’re coming up to a screening of a film you wrote and directed rather than a film you just acted in.

"It’s so much more exhilarating to be starting up a dialogue with people and seeing an audience’s response. It’s really so great, and I can’t wait to do it again _ I’ve got a lot of ideas buzzing around in my head."

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