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Universal Is Having The Biggest Year In The History Of The Film Industry

It looks like the champagne corks are popping over at Universal. It’s okay; they can totally afford it. While it seems that movie studios set box office records every year (ticket inflation will do that), this one is a little different. Universal Pictures has already grossed more money than any other studio ever has in a single year… and it’s worth pointing out at this time that it’s only August.

According to ComingSoon.net, 20th Century Fox did $5.52 billion in business last year. Universal has now done $5.53 billion in business this year, which means the next five months are nothing but gravy. It really helps your bottom line when you release two of the top 5 grossing films of all time in the same year. Jurassic World is now number three on the list, while Furious 7 is number five. The two movies make up more than $3 billion of that total by themselves. Universal also has four of the top eight highest grossing films for 2015 – the other two being Fifty Shades of Grey and Minions. It’s good to be the king.

While the season for box office blockbusters is wrapping up, Universal still has a handful of films that should compete strongly in the market, so they’ll probably just be making victory laps for the rest of the year. Straight Outta Compton, Guillermo del Toro’s Crimson Peak, and the Steve Jobs biopic starring Michael Fassbender are all still to be released.

These numbers are all the more staggering when they are put up against the recent story that Sony Pictures has yet to have a film break the $200 million mark this year. Their highest grossing film of the year thus far…Paul Blart: Mall Cop 2. Universal’s Pitch Perfect 2 did more in it’s opening weekend than Pixels has done in two weeks. Universal is living a success story. Sony is in the middle of a horror movie.

It seems strange to already know who this year’s box office champ is going to be. Only Warner Bros. and Disney have even crossed the billion dollar mark at this point, and even if we take the rosiest of predictions for Star Wars into account, it’s unlikely that The Force Awakens will do so much business before the end of the year that it will drastically change anything. As previously stated, Universal isn’t taking a nap for the rest of the year, so at this point everybody else will be battling for second place.

So thanks to the dinosaurs and the fast cars Universal has set a record, and done it in record time. With sequels to both their record-breaking franchises already planned, we expect Universal is going to try and improve on perfection again in a couple of years.

Source: Cinema Blend

TIFF unveils Canadian films for 2015 festival

Canuck visions both frightening and comic of a radically changed world are among the highlights of Canadian films coming to next month’s Toronto International Film Festival.

Many of the 72 dramatic and documentary features, shorts and installations unveiled Wednesday by TIFF for its Sept. 10 to 20 event, are world, international or North American premieres.

Into the Forest, a dystopian drama by Toronto’s Patricia Rozema, stars Ellen Page and Evan Rachel Wood as orphaned sisters stranded in their wilderness home by global calamity. Their survival struggles mean venturing into a surrounding forest containing wild beasts, both animal and human.

Real-world dangers loom large in This Changes Everything, a documentary by Toronto’s Avi Lewis that tells seven stories from around the globe of community efforts to halt global warming. It’s inspired by his wife Naomi Klein’s international bestseller of the same name.

A humorous take on future shock is seen in No Men Beyond This Point, a “deadpan mockumentary” by Vancouver’s Mark Sawers. It envisions a world where, for more than 60 years, women have been able to reproduce without need of men … and almost all of their offspring are female. But some males survive and the youngest of them, a 37-year-old housekeeper named Andrew (Patrick Gilmore), finds himself drawn into a battle to save men from extinction.

Phillipe Falardeau (Monsieur Lazhar) joins a strong Quebec contingent at TIFF with My Internship in Canada, which reckons Canada as a warmonger nation, albeit reluctantly, in this political satire. Starbuck’s Patrick Huard plays an independent MP from Northern Quebec who lands in the bizarre circumstance of holding the decisive vote in Parliament that could send the nation to war in the Middle East. He embarks on a fact-finding “Democracy Tour” with his visiting Haitian intern (Irdens Exantus), discovering that passions run very high. The film co-stars Suzanne Clément, who played Huard’s feisty girlfriend in Xavier Dolan’s Mommy.

Toronto’s Guy Maddin always sees the world via a funhouse mirror and his latest vision, The Forbidden Room, comes to TIFF via Sundance. It’s a deranged and rainbow-drenched tribute to classic cinema, co-directed by Evan Johnson, which includes lost woodsmen, doomed submariners, skeleton women, talking vampire bananas and a giant throbbing brain amongst its manic visions.

Maddin will be a big presence at TIFF 2015. He’s also bringing the documentary Bring Me the Head of Tim Horton, filmed with Evan Johnson and Galen Johnson, which provides behind-the-scenes glimpses of the filming of Hyena Road, an Afghanistan War drama directed by Paul Gross that was previously announced as a TIFF gala world premiere.

Maddin protégé Galen Johnson rounds out the ex-Winnipegger’s TIFF contributions with The Forbidden Room — A Living Poster, which fiddles with the form of the film in a production showing as part of the fest’s avant-garde Wavelengths program.

Canada’s involvement in the Afghanistan War is also the topic of Guantanamo’s Child: Omar Khadr, a documentary world-premiering at TIFF from Patrick Reed and the Star’s award-winning Michelle Shephard. It’s the story of controversial captive Khadr, recently released from a decade of U.S. jail inside Cuba’s Guantanamo prison, told in his own words.

Brian Johnson’s doc Al Purdy Was Here comes from a “lost Canada” when the country’s artists enjoyed wider support, the ex-Maclean’s movie critic turned docmaker says. The aim of the film is to introduce or reacquaint Canadians to a humble but significant national poet, a “brawling beer hall bard” who died in 2000, and also to recall a Canada when the arts had greater cultural currency.

“People who’ve been there want to see it come back and people who never experienced it want to get a piece of that,” Johnson says.

Other films headed to TIFF from other fests include the Cannes sensation Sleeping Giant, by Toronto’s Andrew Cividino, a coming-of-age story starring teen actors Reece Moffett, Nick Serino and Jackson Martin during an eventful summer on the wild shores of Lake Superior.

And Toronto’s Bruce McDonald brings his horror film Hellions to TIFF, following its premiere last January at Sundance. It stars Chloe Rose (Degrassi) as a teenager who must survive a Halloween night from hell.

Toronto Mayor John Tory (open John Tory’s policard) was at TIFF’s Canadian press conference at the Fairmont Royal York Hotel, the first time in memory that a sitting mayor has attended. He expressed enthusiastic support for TIFF, adding that you can tell he really means it because despite his ongoing battle against traffic jams, he’s in favour of continuing Festival Street, whereby TIFF closes part of King St. for a multi-day street party during the fest.
Besides Hyena Road, Canadian features previously announced for TIFF 2015 include Deepa Mehta’s Beeba Boys, Atom Egoyan’s Remember, Jon Cassar’s Forsaken and Jean-Marc Vallée’s Demolition.

The latter film, TIFF’s dramatic gala opener starring Jake Gyllenhaal and Naomi Watts, is technically a U.S. production, but Quebecer Vallée has long been a TIFF regular. Most of his earlier features, including the recent Wild and Dallas Buyers Club, have all played the fest.

Full details on TIFF’s Canadian selections are available at tiff.net.

Source: Toronto Star

Nova Scotia film industry shrouded in uncertainty under tax incentive

A Nova Scotia film industry worker says a cloud of uncertainty has shrouded the province’s film industry since the implementation of a new incentive program, forcing many workers to find employment elsewhere with no major projects on the horizon.

Kimberlee McTaggart, who has worked as an editor in post-production in Nova Scotia for nearly 30 years, said people are leaving in droves in search of work. She said she’s not sure if the industry will be able to bounce back.

“It’s been truly heartbreaking,” said McTaggart in a recent interview with The Canadian Press.

“I have to feed my family… and there’s a chance that I’m not going to do what I love doing. That’s the thing about film. People don’t just do it to earn a buck. People do it because they can’t do anything else. It’s in their blood.”

McTaggart said she does not have any confirmed work lined up after finishing a project that was filmed under the previous film tax incentive. Normally she would be busy until Christmas, she said.

The new incentive program took effect July 2.

Under the $10 million film production fund, projects can get a 25 per cent refund of all production costs including labour. It replaces a $24 million tax credit that gave projects a 50 per cent rebate for labour costs.

Screen Nova Scotia optimistic

McTaggart said if production does not pick up soon, resources built over decades such as companies who rent out camera gear will pick up and leave, making Nova Scotia even less attractive for filming.

But Marc Almon, co-chairman of Screen Nova Scotia, said he’s hopeful the once-thriving industry will recover.

“There’s potential for the industry to survive this,” said Almon in a recent phone interview. “Hopefully we can find ways to get projects coming here again. But there has been some damage done.”

Almon said summer is normally a busy filming season for Nova Scotia, but the fallout from the provincial government’s decision this spring to reduce the film tax credit created uncertainty that may have dissuaded projects from coming.

“Normally this would be a very, very busy time period and with the Canadian dollar dropping the way it is, the film industry is booming across the country, but it’s not here,” said Almon, whose organization advocates on behalf of the film industry in Nova Scotia.

Almon said his group is now working with Nova Scotia Business Inc., the arm’s-length Crown corporation that administers the fund, to promote it and bring major projects back to the province.

New fund ‘workable’

“I do think that the system has the potential to work,” said Almon. “The danger is that we’re going to lose some critical infrastructure that has taken 20 years to build here if we don’t find work for people soon.”

Nova Scotia Business Inc. declined a request for an interview.

But in a short email statement, president and CEO Laurel Broten said NSBI is working to promote the new fund “through our corporate social and web channels as well as direct channels to industry stakeholders and news media.”

Enrique Posner, the Madrid-based producer of “The Healer,” the last feature film to be made in Nova Scotia under the province’s previous film tax credit, said he still would have brought the film to the province under the new guidelines.

“This new incentive scheme is very workable,” said Posner.

“Once it’s very clear to people that there is continuity and that the rules have changed slightly but that they are in place, I think that will get producers confidence back up and coming and exploring this beautiful part of the world.”

Source: CBC

Telefilm Canada pledges $8.1m for 14 films

The funding body’s Canada Feature Film Fund allocation applies to the 2014-15 cycle and includes films from Kim Nguyen and features actors such as Dane DeHaan and Catherine Keener.

The projects selected for funding are:

Away From Everywhere (Justin S Simms);

Chokeslam (Robert Cuffley);

Coconut Hero (Florian Cossen);

Destroyer (Kevan Funk);

The Education Of William Bowman (Ken Finkleman);

Grand Unified Theory (David Ray);

The Sabbatical (Brian Stockton);

The Saver (Wiebke von Carolsfeld);

The Second Time Around (Leon Marr);

Todd & The Book Of Pure Evil: The End Of The End (Craig David Wallace);

Two Lovers And A Bear (Kim Nguyen);

Unless (Alan Gilsenan);

The Unseen (Geoff Redknap); and

Your Money Or Your Wife (Iain Macleod).

“I’m delighted to see the variety of genres and stories represented by these new productions, which truly reflect the diversity, scope and originality of Canadian filmmaking,” said Telefilm Canada executive director Carolle Brabant.

“This selection includes dramas, comedies and thrillers from across the country – from Atlantic Canada to the West. Debut features are in the line-up alongside those from seasoned filmmakers such as the Oscar-nominated Kim Nguyen. Three of the titles are also coproductions – with Germany, Ireland and Switzerland – proof that our industry can attract the world’s best talent.”

Source: Screen Daily

Canadian films, American stars bound for TIFF 2015

Quebec director’s Jean-Marc Vallee’s collaboration with Jake Gyllenhaal, an outer space thriller starring Matt Damon and a gangster film topped by Johnny Depp are among the films heading to the Toronto International Film Festival this September.

Organizers announced a slate of gala and special presentations this morning stacked with buzzy titles and big-name directors.

Gyllenhaal stars in Demolition, Vallee’s first movie since the Oscar-nominated Wild. The film will open the festival.

Damon stars in Ridley Scott’s The Martian, about an astronaut stranded on the red planet while Depp helms Scott Cooper’s Black Mass, about mobster Whitey Bulger.

Atom Egoyan’s Remember, featuring Canadian Christopher Plummer and Martin Landau, is also on the list.

In addition to Remember, other Canadian titles include Deepa Mehta’s Beeba Boys, Paul Gross’s war saga Hyena Road and Lenny Abrahamson’s Room, — a Canada/Ireland co-production based on Emma Donoghue’s bestselling 2010 novel of the same name.

Other titles headed to Toronto include Denis Villeneuve’s Sicario, Charlie Kaufman’s crowd-funded, stop-motion animated Anomalisa, Michael Moore’s Where To Invade Next and Cary Fukunaga’s Netflix initiative, Beasts of No Nation.

The Toronto International Film Festival runs Sept. 10 to 20.

Source: The National Post

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