Tag Archives: 24

Director Jon Cassar on ’24’

LOS ANGELES (CP) _ Jack Bauer gets all the glory, but the unsung hero of "24" is the guy one step ahead of TV’s toughest counter terrorist _ director Jon Cassar.

Cassar, who grew up in Ottawa and attended that city’s Algonquin College, has directed 48 episodes of "24" _ the most by far of any director.

Last August he was rewarded with the best director Emmy. This season, he was made an executive producer and is now busy developing a spinoff for Fox tentatively titled "NSA Innocent."

The 48-year-old was easy to spot on a recent visit to "24"’s main interior set in suburban Los Angeles. Cassar was the one wearing the Toronto Maple Leafs cap.

"If I had known all of you were coming I would have worn something more formal," he told a group of TV critics from across North America.

Cassar walked us through the concrete bunker that is the CTU set, complete with state-of-the-art video phones, high-def LCD screens and other nifty gadgets. Along with series star Kiefer Sutherland (Bauer), he is part of "24"’s Canadian connection responsible for airlifting so many Canucks into the show’s mix. If you are looking for Canadian beer and cigarettes in L.A., CTU headquarters is definitely the place to start.

This season, the sixth of Bauer’s staggeringly bad days (a special two-hour episode airs Monday on Fox and Global), Carlo Rota ("Little Mosque on the Prairie") is smack in the middle of the latest crisis. His character, CTU operative Morris O’Brian, was kidnapped at the end of last week’s episode. Another familiar CBC face, Shaun Majumder of "This Hour Has 22 Minutes," snuck onto "24" briefly before blowing up real good in Valencia, where his character just detonated a nuclear bomb.

Cassar, who claims to be "out of it" on the Canadian scene after six years in Hollywood (although he did just pick up DVDs of "Bon Cop, Bad Cop" and "The Rocket" while home for the holidays), says he had nothing to do with casting Rota and Majumder. But at least one of those hires dates back to Cassar’s previous series, "La Femme Nikita." The low-budget, Toronto-based drama was produced in the late ’90s by Joel Surnow and Robert Cochran, who went on to create "24."

Rota, also on set for the critics tour, was a "Nikita" grad. When he moved to the States about a year ago, he picked up the phone to say hello to Surnow. That led to a two-minute meeting with the producer and Rota was suddenly part of the CTU team.

It’s all who you know, admits Cassar, and he and Surnow and Cochran know Canadian talent. The ever-revolving door at "24" has seen several Canadians come and go, including Leslie Hope, Elisha Cuthbert, Alberta Watson, Cameron Bancroft, Wendy Crewson, Mia Kirshner, Geraint Wyn Davies, Shawn Doyle, Peter Outerbridge, Justin Louis and Jeff Wincott.

"I’m one of the guys who have been fighting for free trade in the business for years," says Cassar, who worked with Wyn Davies on "Forever Knight" and Watson on "Nikita." "It affected me when I was a camera operator."

At that junior level, Cassar had to turn down a job on a Clint Eastwood film due to labour and border restrictions. (More cross-border latitude is given to directors.) "I watched my career right there crash and burn," he says. "This is a business built on relationships and that border stops that from happening."

So, if he can help a Canadian across the border now, why not, says Cassar.

Besides, our actors and crew members get "24"’s slick and quick shooting style _ we’ve been forced to do it that way for years. "It’s not about beautiful shots of the star on our show," says Cassar. "The stars are in the action. The actors do the scene and your job is to cover it. It’s not the other way around."

As a result, there are fewer takes on "24," maybe three or four per scene. Actors aren’t forced to hit their marks, the camera finds them.

Cassar credits pilot director Stephen Hopkins for setting the speedy standard. Cassar makes sure new directors, including Canadian Milan Cheylov, who made his mark on Toronto-based shows like "Relic Hunter" and "The Eleventh Hour," sticks to the game plan. "We don’t want a guy who comes in and changes our camera style. We have our camera style. We want a guy to come in and understand it."

A brisk shooting pace also helps maintain the heightened emotional level on the series. "Do you really want to stop Kiefer Sutherland in the middle of an interrogation," Cassar asks, "and just say to him, ‘Pick it up at "Where’s the bomb?" ‘ It’s not going to happen. You’re in the game right away."

Cassar will be working with at least one other Canuck on the new series, actress Stana Katic. Written by Cochran and David Ehrman, "NSA Innocent" is reportedly about an everyman stuck in Jack Bauer’s kind of scary spy world.

He hopes to work with a few more. One of the hard parts about working on "24" is having to say goodbye to great actors who get killed off every season. "Again, it’s people we know and trust," he says, singling out Hope along with Carlos Bernard and Sarah Clarke as actors he’d love to work with again.

He might even finally sneak another "Nikita" cohort across the border: "Rocket" star Roy Dupuis. "We’ve talked to him now for about three years," says Cassar. "We know he’d be great. It could still happen."

24 wins best drama at Emmys while Kiefer Sutherland wins top acting award

LOS ANGELES (AP) _ The groundbreaking action series 24, which turns one dangerous day into a season, ended Sunday with a bang as it won Emmys for best drama series and best actor for its Toronto-bred star, Kiefer Sutherland.

The Office was honoured as best comedy although its star, Steve Carell, lost the award for best actor in a comedy series to Tony Shalhoub of Monk.

One Emmy front-runner, sexy medical drama Grey’s Anatomy, was shut out in the awards.

"Every once in a while you’ll have an evening that just reminds you that you’re given too much and this is that evening," Sutherland said. "This experience on 24 has been nothing but remarkable for me."

In the audience was his father, Donald Sutherland.

"What a nice evening this has been for us. My father’s sitting over there. We’re going to have to go out for dinner now," said Sutherland.

Although Emmy nominations rule changes left some grumbling about snubbed shows including Lost, the revisions may have opened the door for an offbeat series like The Office to be nominated and for 24 to prevail.

Mariska Hargitay of Law & Order: Special Victims Unit and Julia Louis-Dreyfus of the freshman comedy The New Adventures of Old Christine struck Emmy gold with lead actress awards for drama and comedy, respectively.

"Well, I’m not somebody who really believes in curses _ but curse this, baby," Louis-Dreyfus said, hoisting her trophy and making a veiled reference to the so-called "Seinfeld curse" that kept three of its stars from launching successful new series.

The Emmy ceremony initially followed a predictable path Sunday as Tony Shalhoub won his third acting trophy for Monk and departed series Will & Grace, The West Wing and Huff earned bittersweet toasts. Until the finale, the surprises in the ceremony were courtesy of host Conan O’Brien and his inventive comedy bits, including a running gag that had Bob Newhart’s life threatened if the show ran long. Winning didn’t take the sting out of cancellation for at least one star.

"It’s not supposed to work this way, is it, when you say goodbye to something?" said Blythe Danner, named best supporting actress in a drama for Huff.

"I guess I have to thank Showtime, even though they cancelled us," Danner said, with a smile.

Megan Mullally was honoured for her supporting actress work in the sitcom Will & Grace, which wrapped up its eight-year run.

And Alan Alda was named best supporting actor in a drama for his role as a Republican presidential candidate on The West Wing, cancelled after seven seasons.

Alda wasn’t on hand to accept the award. But he might have become blase: In recent years, he also had an Oscar nomination for his role in Martin Scorsese’s The Aviator, a Tony nomination for his Broadway performance in David Mamet’s Glengarry Glen Ross, and another Emmy bid for West Wing _ none of which he won.

His win was the 26th Emmy for the White House drama, a drama series record. The show had been tied with Hill Street Blues and L.A. Law with 25.

Jeremy Piven of Entourage was named best supporting actor in a comedy.

The ceremony opened with a filmed comedy bit in which O’Brien was seen sipping champagne aboard a jetliner. "What could possibly go wrong tonight?" he says _ before the plane crashes onto an island resembling the one in ABC’s drama.

After being greeted by Lost star Jorge Garcia, O’Brien fled through a mysterious hatch and ended up crashing through other series including The Office, 24 and House.

"Subject could be anemic, possibly albino," was the diagnosis of House star Hugh Laurie.

O’Brien was equally self-deprecating before he started a song-and-dance number.

"It’s my second time hosting. And as you’ll see tonight, the third time’s the charm," O’Brien said.

The ceremony honoured producer/host Dick Clark of American Bandstand fame, who has been recovering from a stroke he suffered in 2004.

"I have accomplished my childhood dream, to be in show business. Everybody should be so lucky, to have their dreams come true. I’ve been truly blessed," said Clark, his speech somewhat strained. He was seated at a podium on stage when he was introduced.

Barry Manilow serenaded Clark with the show’s bouncy theme song before collecting his own Emmy for the special Barry Manilow: Music and Passion.

Aaron Spelling, the prolific producer who died in June at 83, was paid a tearful tribute by his one-time stars, including Jaclyn Smith, Farrah Fawcett and Kate Jackson of Charlie’s Angels and Joan Collins and Heather Locklear of Dynasty.

Throughout the ceremony, veteran comedian and TV star Newhart popped up occasionally for O’Brien’s gag.

"The show has rarely has come in on time. Why? Because there’s no real consequences," O’Brien said as Newhart was wheeled onstage in what Conan warned was an airtight container _ with just three hours of air, the ceremony’s scheduled running time.

"Yes. It’s very simple. If the Emmys run one second over, Bob Newhart dies," O’Brien said," as Newhart’s famous deadpan expression showed a tinge of alarm. "So keep those speeches short, ladies and gentlemen. Bob Newhart’s life in your hands."

The Daily Show with Jon Stewart, the satirical newscast, reaped two Emmys, for best variety, music or comedy and the writing award for that category. Stewart cracked after the first honour: "I think this year you actually made a terrible mistake. But thank you."

American Idol, the blockbuster TV talent show, lost again in the reality-competition category as The Amazing Race picked up its fourth award.

Stephen Colbert of The Colbert Report, presenting the reality award, took the opportunity to vent about being eclipsed by Manilow’s special in the variety, music or comedy program category.

"I lost to Barry Manilow … I lost to the Copacabana," wailed Colbert.

Kelly Macdonald was named best supporting actress in a movie or miniseries for The Girl in the Cafe, closing the book on one of Emmy’s odder nominations. (The drama also was named best made-for-TV movie.) Ellen Burstyn’s nomination in the category, for the TV movie Mrs. Harris, was a head scratcher _ her cameo was clocked at 14 seconds. She didn’t attend the ceremony.

Cloris Leachman, also competing for Mrs. Harris, failed to extend the Emmy record she set just last week as most-honoured performer ever. Her total reached nine when she won a guest-actress award for Malcolm in the Middle at the Creative Arts Emmys.

Besides Leachman, other guest actors in drama and comedy series honoured at the Creative Arts awards were Leslie Jordan for Will & Grace, Patricia Clarkson for Six Feet Under and Christian Clemenson for Boston Legal.